Articles

By Muhammad Alabbas Translated By Noor AlMarzooqi

Resisting Popcorn Culture

Written by Hossam Elkholy - Translated by Fatima Mahdi

The Saudi interest in Documentary Films

Rami Abdel Razek

Were Egyptian Feature Films Born in the Desert?

A Question Sparked by the Third Edition of the Riyadh Film Criticism Conference

Written by Muhammad Jamal Alrooh Translated by Marya Alabbasi

The Bless of Being No One: The Pain of Loss and the Solace of the Soul

Ahmad Al-Qasimi

In Non-Stereotypical Cinema

What do Streaming Platforms Owe to Film Piracy?

Cinema and Architecture in the Arab World: The City as Memory, Living Organism, and Mirror of Social and Political Change.

The Global Launch and Positioning of the Film Criticism Conference

Abdulrahman AlDosari

Through the corridors of the Art Exhibition: Space as a Mirror of Existence in the Lens of the Lumière Brothers

Moderator: Rama Altukhaim

Mark Peranson: A Personal Approach to Film Criticism

The Most Marvellous Endings

Asmaa Harrachif

The International Film Criticism Conference: Toward a Critical Cinematic Atlas

Written by Dayes Muhammad Translated by Zainab Yaqoob

Kurosawa’s Seven Samurai and its Descendants: Multiple Images of the Same Story

Written by Manar Khaled Translated by Marya Alabbasi

Men's Perspectives on the Image of Women in 3 Saudi Films

Dr/ Maher Abdul Mohsen Translated by: Zainab Yaqoob

Journeys and Road Trips in Saudi Cinema

Interview with Lebanese producer Georges Schoucair On “A Sad and Beautiful World” by Cyril Aris

Written by Rakan Abdulaziz Translated by Marya Alabbasi

Saudi Cinema: Five years have passed… so what happened?