Articles

Written by Dr. Abdullah Al-Aqibi Translated by Zainab Yaqoob

Hana Al-Omair’s Film (Swan Song)

Petrushka… Petrushka… Petrushka

Mohamed Mostafa

Eternity and a Day: What Is Left of Everything?

Written by Manar Khaled Translated by Maitham Fardan

The Crisis of the Film Critic in the Era of Electronic Committees

Written by Dr. Walid Saif Translated by Noor AlMarzooqi

Is the Era of Cinema Over, or Is It Experiencing a Revival?

Written by Souad Zribi Translated by Marya Alabbasi

The Portrayal of ISIS in Tunisian Cinema

The Godfather: Innocence and Love Buried Alive in the Life of Michael Corleone

Holy Spider

Written by Taghreed Al Otaibi Translated by Maitham Fardan

The Concept of “The Uncanny” in Cinema

Written by Muhammad Samih Translated by Maitham Fardan

Mortality, Solitude, Impermanence of Love: Embracing Benjamin Button’s Concerns

Written by Amir Alomari Translated by Marya Alabbasi

Scales: An Amazing Saudi Experiment

Written by Dr. Muhammad al-Bashir Translated by Zainab Yaqoob

Bathaikha: The Fictional City That We Know

Written by Qais Abdullatif Translated by Noor AlMarzooqi

Why do we love Iranian movies but hate watching them?

Written by Ali Mahmood Translated by Marya Alabbasi

Raven Song: Al-Salman in Lanthimos-esque Shackles

Written by Dr. Maher Abdul Mohsen Translated by Marya Alabbasi

The Cinematic Language of Salah Abu Seif's Films

By Muhammad Alabbas Translated By Noor AlMarzooqi

Resisting Popcorn Culture

Written by Hossam Elkholy - Translated by Fatima Mahdi

The Saudi interest in Documentary Films

Rami Abdel Razek

Were Egyptian Feature Films Born in the Desert?

A Question Sparked by the Third Edition of the Riyadh Film Criticism Conference

Written by Muhammad Jamal Alrooh Translated by Marya Alabbasi

The Bless of Being No One: The Pain of Loss and the Solace of the Soul

Ahmad Al-Qasimi

In Non-Stereotypical Cinema

What do Streaming Platforms Owe to Film Piracy?

Cinema and Architecture in the Arab World: The City as Memory, Living Organism, and Mirror of Social and Political Change.

The Global Launch and Positioning of the Film Criticism Conference

Abdulrahman AlDosari

Through the corridors of the Art Exhibition: Space as a Mirror of Existence in the Lens of the Lumière Brothers

Moderator: Rama Altukhaim

Mark Peranson: A Personal Approach to Film Criticism

The Most Marvellous Endings

Asmaa Harrachif

The International Film Criticism Conference: Toward a Critical Cinematic Atlas

Written by Dayes Muhammad Translated by Zainab Yaqoob

Kurosawa’s Seven Samurai and its Descendants: Multiple Images of the Same Story

Written by Manar Khaled Translated by Marya Alabbasi

Men's Perspectives on the Image of Women in 3 Saudi Films

Dr/ Maher Abdul Mohsen Translated by: Zainab Yaqoob

Journeys and Road Trips in Saudi Cinema

Interview with Lebanese producer Georges Schoucair On “A Sad and Beautiful World” by Cyril Aris

Written by Rakan Abdulaziz Translated by Marya Alabbasi

Saudi Cinema: Five years have passed… so what happened?